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Central European exhibit becomes a
reality for IUP professor
Three years ago,
Dr. James Nestor visited Croatia as a guest of the International 33rd
Zagreb Salon and returned with an idea for an art exhibit.
Nestor's
idea - to exhibit artworks by faculty from the art academies in Zagreb,
Croatia; Ljubljana, Slovenia; and Sarajevo, Bosnia and Herzegovinia -
was large in scope and optimistic in its nature.
"It was a good idea," said Nestor, a sculpture professor at
IUP, "it just hadn't been led or developed before."
Now,
as artwork is being shipped from the three countries and the catalogue
prepared, Nestor's idea is becoming a reality: New Works/New Europe
opened to the public Sept. 10 at the University Museum.
(full
text)
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Curator's
Statement
This
exhibition is a journey through time, language, and place.
The artists cut across gender and age. There are different
generations of artists. I sought out individuals whose art
expressed a special turn of the mind. The great complexity
of much of this work comes from the integration of advanced
technology, a profound belief in the primacy of art and a probing
respect/fear of history.
It
is impossible for the current generation of Americans to come to a
ready understanding of the divergent points of view in this
radical exhibition. I regard this exhibition as an
educational mission to point out our similar concerns and
humanness. The other side of this mission is to underscore
the fact that the role and viability of art to be a living part of
culture has never been understood or experienced in the United
States to the same extent as in some other places.
(full
text)
View
pictures from the New Works/ New Europe Opening Reception from the
Fall/Winter issue of Insight.
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| Stjepan
Gracan |
| After
Everything II |
1998 |
| nylon
plastic, polyurethane |
| 50 x
100 cm |
|
| Ines
Krasic |
| California
Dream, UNISEX |
1999
 |
| installation
, combined techniques: metal construction, rubber,
textile, ink-jet serigraphy on textile |
| 68 x
210 x 206 cm |
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| Nives
Kavuric-Kurtovic |
| The
Cry Tree |
1995 |
| combined
technique on canvas |
| 200 x
140 cm |
|
| Mehmed
A. Aksamija |
| El
Nino: Sarajevo |
1999
 |
| digital
photographic imagery |
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| Damir
Matausic |
| Four
Seasons: Summer |
1998-99 |
| epoxy
resin, glass, galvanized copper, silver and gilt coating |
| 120 x
80 x 150 mm |
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| Mirsad
Sehic |
| Geo-Metrija
(angular variations) |
1998
 |
| mixed
media on paper |
| 59 x
72 cm |
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| Slavomir
Drinkovic |
| St.
George's Spear |
1990 |
| granite,
stainless steel |
| height:
226 cm |
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| Branko
Suhy |
Mayonnaise
Mitja 18.5.98
 |
| etching
and aquatint plate 98.3 x 59.5 cm |
| paper
120 x 80 cm |
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| Zlatko
Keser |
| The
Faces (from the cycle) |
1995 |
| oil
and wax on canvas |
| 185 x
150 cm |
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| Dubravka
Babic |
| The
Tree (triptych) |
1994
 |
| dry
point, etching, reservage |
| I:
1000 x 420/ 1060 x 560 mm |
| II:
895 x 735/ 1060 x 780 mm |
| III:
1015 x 450/ 1060 x 580 mm |
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